The Angelus is a devotion named for its opening Latin words, Angelus Domini nuntiavit Mariae, and it is said at fixed hours at the sound of a bell. The word in this title refers to that prayer, not to a being. No angel is claimed anywhere in this record. Two of the 224 titles in this catalogue carry the word in that sense, and both are nineteenth-century.
The catalogue dates the work to 1859 and gives Jean-Francois Millet, a French painter, with Realism as the style term. The recorded dimensions are 55.5 x 66 cm. The measured colour families are brown and yellow. The location on record is Musée d’Orsay, Paris, France.
The subject tags here are Landscapes, Field and Portraits of a group, with Realism as the style term — a picture of agricultural labour interrupted by an hour. That is a long way from a hierarchy of nine orders, and the distance is exactly the point of flagging it. The entry is one of three in this catalogue recorded at the Musée d'Orsay.
French landscapist, 1666-1723
Louie Drehmer, Curator, Angel Oil Paintings
Louie curates Angel Oil Paintings. The sources available for this entry are listed above.
The Angelus is an oil painting by Jean-Francois Millet, 1859, held at Musée d'Orsay, Paris, France.