The angel of death has no place in the nine orders. No canonical text ranks him, and the tradition that produced Michael's armour and Gabriel's lily never issued him an attribute. He is an office assembled by usage — a personification of an event, given wings because wings were the available vocabulary. Two of the 224 titles in this catalogue name death directly, and this is one.
The catalogue dates the work to 1890 and gives Gustave Moreau, a French painter, with Symbolism as the style term. No dimensions are recorded. The measured colour family is brown. The location on record is Musée National Gustave Moreau, Paris, France.
The record files this entry under Symbolism, and its subject tags include Animal Art and, specifically, Horse. That is a cross-listing from the shared catalogue rather than a claim about iconography, and it is worth reporting because it shows the entry sitting in two collections at once. The recorded location is the painter's own house museum in Paris. No dimensions are on file.
French repository, Paris, contemporary
Louie Drehmer, Curator, Angel Oil Paintings
Louie curates Angel Oil Paintings. The sources available for this entry are listed above.
The park and the angel of death is an oil painting by Gustave Moreau, 1890, held at Musée National Gustave Moreau, Paris, France.